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GSSA
The 1820 Settler Correspondence
 as preserved in the National Archives, Kew
 and edited by Sue Mackay

1820 Settler Places in Britain and Éire

In many cases, particularly in cities like London and Bristol, many buildings with settler ties no longer exist. In such cases I have tried to include historical pictures where possible, and where I have not been able to take pictures myself I have added pictures from www.geograph.co.uk, which can be used under a Creative Commons Licence. Where the photographer’s name appears as a clickable link followed by a CC BY-SA 2.0 reference, the original photo can be viewed together with other photographs of the surrounding area.

The pictures are currently arranged by county for England, Scotland, Ireland and Wales, with separate sections for the cities of Birmingham, Bristol, Dublin, Edinburgh, Liverpool, London, Manchester and Nottingham. London has been further sub-divided into Boroughs so as not to have too many pictures in one file. The pictures appear as small icons with a brief title. Clicking on them will reveal a larger picture with text explaining the link to one or more settlers and a credit to the photographer. Clicking on the + sign will further enlarge the picture to full screen (ESCape to exit full screen), and the photographs can all be downloaded from the site.

 

Baltinglass, St.Mary's Church Interior

Baltinglass, St.Mary's Church Interior
2nd October 2023
Sue Mackay

Baltinglass, St.Mary's Church Interior. The 19th century Gothic church dates from 1884, but there must have been an earlier church on the same site, as John MONTGOMERY wrote in his Reminiscences: ""Baltinglass church is built on the ruins of an old convent destroyed by Cromwell. ..... The church is a beautiful building – the old walls around being one mass of ivy. The old castle was very much dilapidated. While I sat in my mother’s old family pew close to the pulpit I admired the large Gothic window under which was the Communion table, with its well turned oaken legs, the railings around which were of beautiful oak, and the cushions of dark purple colored velvet. The pulpit was of black oak, most beautifully carved out, and the pews and the galleries were likewise of the same material and workmanship. The organ was stationed above, protected by a high screen, behind which the choir sat, to accompany the instrument with their singing. There was no theatrical show, no brazen candlesticks, nor any other brass ornaments, nor any kind of unnecessary display, to distract and divert the attention of the pure Protestants."
Photo by Sue Mackay

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